Andrew Nitts

In this track, I used a polymetric mid bass pattern. Because the pattern shifts against the rest of the track, it creates occasional conflicts with the other low-end elements. Instead of creating individual automation throughout the entire track to resolve these conflicts, I created a dedicated duck

In Project 114, the low end is built from two elements: kick and bass. The techno bass is created in Granulator III using a bass one-shot as the source sample. In this video, I break down the full bass processing chain, including EQ, gain control, ducking, automation, and dynamic control. The proces

In this track, the low end is built using only two elements: the kick and the bass. Keeping the foundation simple makes it easier to achieve a clean, powerful mix while leaving enough space for the rest of the arrangement. The bassline was created entirely with Granulator III. I really enjoy using g

It took me a long time to understand how to make a clap sit properly in the mix. Before I started using a loudness meter, I couldn't actually see that the kick and clap playing together were creating a noticeable increase in signal level. As a result, my master limiter had to work harder than necess

I once asked a producer how he made such a great-sounding kick. His answer was simple: "A lot... a lot of layers." For this template, I decided to put that idea into practice, and I think the result turned out really well. I start by building the initial groove using only a single kick layer - the m

The reference for this track was one of Coyu's tracks from the Samba Sessions series. In this project, I started the track with the kick and the main percussion groove. I added the bass (rumble and toms) at the end, after the main groove was already established. Why did I do it this way? Usually, wh

Granulator III is one of my favorite tools for experimenting with sound design and creating unique FX textures. Some of the most interesting and characterful results appear when playing samples in the lower octaves, where familiar sounds can transform into something completely unexpected. One of the

140 BPM Techno Ableton Template This Ableton Live techno template is built around a solid, classic low-end foundation at 140 BPM. The low end consists of three essential elements: kick, rumble bass, and toms, creating a powerful and versatile groove that works well in many styles of underground tech

For this track, I wanted to put the main focus on a repeating loop that drives the groove and creates a strong dancefloor energy. The arrangement follows a classic techno structure with a clap and ride keeping the momentum throughout the track. The main synth was created using Ableton's Granulator a

Note: This video uses the macOS keyboard layout. Using this analyzer makes it easy to spot peaks in your mix. Why do I think this is important? Because excessive peaks make your master limiter work much harder than it should. My goal is to keep the limiter working at around -2 dB of gain reduction.

As always, I decided to fine-tune the bass. Initially, the rumble bass repeated after every kick drum hit; there was no variation. I split the rumble bass across four tracks. To alter the groove, I used the "track delay" parameter. I adjusted these settings for the bass tracks until I found a bass m

A low-end techno tutorial based on the Project 77.1 This is just one of many ways to create low-end - it’s not a rule. It’s another piece of knowledge to add to your experience. I particularly like the "kick layer." I love how it brings the kick to life and adds movement to the mix.

In this track, I paid special attention to crafting the low end. The kick consists of five layers. I build the groove around the initial kick. Once all the track's elements are in place, I EQ that initial kick (always differently each time to eliminate muddiness). Then, I select new layers to add de

I enjoy creating this type of track. They rely on a loop-based approach: the main task is to create a dance loop, and then the full track structure is built by adding or removing elements every 8 or 16 bars. No dramatic transitions. No epic breakdowns. No narrative arc. Just a loop with shifting ene

This project uses a simple bassline consisting of three notes. However, each note is separated into a separate track. When it's in a single MIDI track, the bass blends into a booming mass for me. By splitting each note into tracks, I can adjust the delay for each one using "track delay." I try diffe

Granulator III was used to create the synth in this track. By experimenting with the granulator parameters and automating them, you can find interesting textures and movements in the sound. The initial synth loop and the final result are decidedly different. The loop contains different notes, and by

The archive contains project 104 + bonus project 104.2. I didn't make a separate post for the bonus template 104.2. It gives me mixed feelings. But I don't want it to remain on my hard drive forever. I think you'll find something useful in the bonus template. In this bonus template, I wanted to make

This track has a simple low end. The main sound movement is created by the low end + perc 1. I find this track a bit experimental, as it features adapted strings. As always, it's important to create a solid foundation for the track, then manage its energy by adding and subtracting elements from the

The low-end in this track may seem complicated. But once you understand the principle, everything falls into place. By dividing the bass into separate tracks for each bass section, I gain individual control over each section. This allows me to adjust the relationship between each section. It also al

To achieve a Latin/samba vibe in a hardgroove techno track, you need to make a regular hardgroove techno track, but use samples in the styles of "Latin, samba, apito samples, djembe samples, flamenco/Spanish acapellas." Anything characteristic of this ethnic music will work for the samples. If you w

In this project I did not use any compression or sidechain compression when creating the low end. All relationships between bass layers were manually configured. I used the gain utility parameter automation for this configuration. The Low End Group and all its elements are configured, except for the

In this track I adjusted the low end as precisely as possible. Each bass rumble section is placed on a separate track for maximum precision tuning. Each rumble bass section is placed on a separate track for individual adjustments, such as sample length, fade-in/fade-out, volume, and track delay. I t

In this project, I used third-party plugins to create sounds. I then resampled them. I plan to make a series of videos on how to generate similar sounds. For now, I'll explain it in text. "Sound 1" was generated using "CHEat code" plugin. I tried different samples and used random preset generation i

Three projects. I created them freely, without any specific subgenre as a reference. Сreated using Ableton's native instruments. This is how I see techno music at the moment, perhaps with a melancholic vibe. Techno Template Project for Ableton Live Suite 12.3.2 and higher.

I made a few videos on Instagram showing how to create a bassline for techno using this Tom Rack. Many people asked to share this Tom Rack. I'm publishing it for free download. Ableton Live version 12. There are several ways to open this Tom Rack in your project. 1 - Download the project, open the p

On the track "3-Kick," I used the Color Limiter. It's not installed by default in Ableton; you can install it via Places - Packs - Creative Extensions (in the left-hand menu). If you can't install the Color Limiter, simply deactivate the "Limiter Rack"—the sound won't change dramatically. I changed

The low end in this track is made up of five elements. Track Delay is used on tracks 10, 11, 13, 17, 32. The sound for the track "25 Noises 1" was obtained by recording audio from Granulator III. Add a random sample to the Granulator, enable recording, and change the position and parameters in the G

Techno Template Project for Ableton Live Suite 12.3.2 and higher. An energetic track with a hook derived from a vocal one-shot. Tracks 12, 13, 14, 15, and 17 feature the "track delay" function - it works differently in each track, in some for groove, in others for consistency within the context of t

For this project, I used Marcal's reference, but didn't completely replicate the sound, just the atmosphere and structure. The track is groovy, percussive techno. The bass consists of three layers, carefully tuned to ensure the bass doesn't sound muddy. Track 30 was recorded from track 29. When reco

First of all, pay attention to the track delay settings on each channel. In this project I decided to experiment with that, and it had a noticeable effect on the groove. This track has a very percussive character - everything is built around the groove. I tried adding different synths and melodic el

A groovy techno track with percussion, textures, and foley. No extreme limiting on the master channel to maintain dynamics. Techno Template Project for Ableton Live Suite 12.3.2 and higher.

This template was inspired by the track: "Yanamaste - Modulation Detected (Mutual Rytm Records)" It has a simple arrangement, without any dramatic changes. The main goal is to create a groove loop. Note the delay channels for some elements. On low-end elements, this corrects the phase. Don't be surp

A project in the deep-hypnotic techno style, using a lot of sounds, textures, and percussion. For more information on creating FX from a guitar, you can watch my video on YouTube. Techno Template Project for Ableton Live Suite 12.3.2 and higher.

A body techno project. With an energetic dance groove and percussion. My favourite element in the track is the FX3 - it's made from the sound of a penguin. I got this sound from a children's YouTube video about guessing animals by their sounds. Techno Template Project for Ableton Live Suite 12.3.2 a

The reference track for this project was Marco Bailey - Konverter. The concept of creating tracks in this style is to use 90s sample packs, distortion/overdrive, finding the groove, and focusing on repetition. For this project, I used only Ableton Live’s stock plugins. Techno Template Project for Ab

In this project, I focused on creating sound using Phaser-Flanger. Check out the YouTube video to see how it can be used. It produces interesting and unusual sounds that can be resampled to create hypnotic textures. Techno Template Project for Ableton LIve Suite 12.3.2 and higher.

In this project, I used the free synthesizer Sinc Vereor by Noise Engineering. It’s excellent for creating techno. I like how it sounds and its random preset generation. In the template, I used the VST version to ensure compatibility on both Windows and macOS. I also included the presets used. Techn

In this template, I created the lead synth using Operator. The low end is made from a standard 909 kick and my own kicks from a sample pack. By automating parameters in Operator, you can create a wide variety of timbres for the synth throughout the entire track. Pay attention to how the Saturator on

While creating these projects, I didn’t copy anyone else’s style - I simply made the tracks as experimental as possible. If you see an audio file on an audio track, in these projects I generated those sounds using the Cheat Code VST and then resampled them. In these tracks, I focused on searching fo

In this track, I used my own self-recorded sounds to create the FX. You can find a more detailed breakdown in the video at the link. The entire FX group is especially interesting to me in this track, as experimenting with FX and creating unique textures makes the track original and adds variety to i

The sample pack contains 100 sounds. To create these sounds, I used the Digitakt II. I generated complete random chaos from various sounds, modulated parameters, and recorded everything into Ableton. Then I selected the most interesting segments and turned them into one-shots. These sounds are excel

Standard techno track. Created in Ableton Live 12. A techno track on a free theme. When I make tracks at this tempo - 145 BPM - I always somehow drift into a melancholic atmosphere with pads. The vocal sample on track No. 30 is resampled, because I didn’t want a static-sounding vocal one-shot, and d

Contains three projects. I think each of you has asked yourself the question: what truly makes a sound original and unmistakably your own? How do you become more creative and craft interesting timbres and textures? For me, the answer came from working within limitations. I found it incredibly inspir

Standard techno track. Created in Ableton Live 12. For the synth design, I used Meld and Roar. Techno Template Project for Ableton LIve Suite 12.2.6 and higher.

In this project, I use resampling to create unusual FX for filling and enhancing the track. I recorded a video where I explain the entire process in detail, and I highly recommend watching it. Techno Template Project for Ableton LIve Suite 11.3.30 and higher.

Contains three projects. When creating these projects, I used only my own original samples. And once again, I realized that you can create an interesting sound from absolutely anything. For me, this is the only way to discover unusual textures. These deep, hypnotic techno tracks are about a state of