Pedro Medeiros

I wrote an article about this! Check it out here: https://saint11.org/blog/consistency/ Edit: Fixed the link!

Quick tip on a pixel art technique that I really like. This is usually one of the first things that I notice when looking at beginners pixel art, since it's not very intuitive. Having everything aligned can be bad because it creates a secondary resolution on top of your main one. For example, 2x2 or

Took me a while but here's the 7th article about how to start making pixel art! This one is all about with lines. Read it here: https://medium.com/pixel-grimoire/how-to-start-making-pixel-art-7-e504bfa4ddf2 As always thank you for the continuous support!

It's been ages since the last tutorial, but now I'm finally settled in and hopefully I'll be able to keep making my tutorials again :) Thanks everyone so much for all the support and patience! Here's some other tutorials related to the topic: - Impact: https://www.patreon.com/posts/impact-23417521 -

After a very busy month I'm back :) This tutorial works well with some other tutorials I made, check them out: Attack animation: Motion Blur: https://www.patreon.com/posts/motion-blur-11596285 Squash and Stretch: https://www.patreon.com/posts/squash-and-11713421 Smoke: https://www.patreon.com/posts/

Here's some simple tips and tricks for making top-down 2D games. Always take extra care with the colliders and break down objects to individual pieces. Here's some other top down tutorials that might be helpful too: Walk Cycle Run Cycle Houses Attack animation

Here's my take on how I would make a top down attack animation. I only made one direction, and I can try making more in the future, but I don't think it's necessary, just follow the same logic. Imagine a the legs, torso and head as layered stacks and they should slide in the direction of the attack.

Here's some tips and tricks about drawing in the isometric perspective, I decided to call this "part 1" because I think this is a really big topic with a lot of room to explore. Also, check it out this great cheat sheet, it helped me a lot while making this tutorial: http://www.dennisbusch.de/knowho

This tutorial is very similar to another tutorial of mine, the Top Down Run Cycle but walking, as you can see has some differences. Also I tried to use this to share some more tips on the subject and how I usually work when making this type of animation. Don't forget that the walk cycle is a very im

This tutorial is a little similar to my second tutorial, about attack, but this time I've focused on swords. Many of the stances and poses were based on videos by Skallagrim, check his stuff out if you need more info on the subject :) Remember, when drawing historical weapons is always good to do so

Here's a little guide on how to draw wood textures! Wood is not a necessarily hard thing to draw, but if you want to make it detailed it is very time consuming. I always try to focus first on the big shapes and only when I'm happy with it I draw the texture. Otherwise I may waste a lot of time drawi

Before anything, sorry for all the text, I always try to keep my tutorias as compact as possible but for this I couldn't think of a way of explaining all that without lots of text. If you want to resize your pixel art you are in for a rough ride, this is one of the most annoying things about this ar

Here's my 70th tutorial! I had to do a lot of research for this one and leaned a lot in the process. Researching photography techniques is always a good way to learn how to draw and frame subjects. Other tutorials where I talk about similar subjects: Shading Process Portraits

This tutorial is about gems, something that I really like drawing, but I never really gave too much though about how it's really made and researching for this tutorial was very fun. The gem cutting process is very interesting and much more artesanal and precise than I expected. Another reference for

When designing firearms my main advice is: always have some real world reference. Firearms are very complex mechanical devices and it's very easy for them to look fake or like a toy gun. Having the right details is what sells the realism. Even though I'm not really into guns (I never even touched on

This tutorial took way longer than I expected, but finally, here it is! I decided to make a tutorial about ghosts and holograms because they have a lot in common, they both are semi-translucent human shapes. Of course, one has a sci-fi theme the other is usually more macabre, but the effect is very

And here's another tutorial about getting hit! Just remember that player feedback is a very important thing and communicating that characters took damage is just as important as if they didn't. Not having a "defend" animation or feedback might confuse the players into thinking that the hit missed an

For making houses and other structures in top down I always recommend looking for reference, for example, this tutorial was based on Zelda: Minish Cap art. Representing things in top down 2D comes with a very hard perspective problem that's very hard to solve. Here I use one of my favorite methods,

Here's my ice and snow tutorial! I have to admit that I don't have much experience with snow myself (I live in Brazil) most of what I've learn is from pictures and videos. My ultimate advice is always search for reference, ice colors can change in weird ways, become over saturated and very glossy. A

When designing spaceships I always follow a iterative process and if something doesn't work I can always fall back one step and change things. I also urge you to read this amazing article by Arne: https://androidarts.com/spaceships/spaceship_design.htm And here are some other tutorials that I made t

I decided to group these three animations because they are all variations on the same theme, an abrupt movement for escaping or reaching something. They all follow the same pattern, a very short or non-existent preparation (especially for player characters) a loop for the duration of the action and

And we are back with another animation tutorial! It's kinda weird to explain wall slide and kick before explaining jump, but I think it's all about conveying a strong horizontal movement for the kick and the pressing on the wall for the slide. Although this is how I usually draw my characters I thin

It's been a very intense end of year, but I managed to finish this week's tutorial! It's about modern indoor scenery. The tips here are built around my personal style, so they definitely don't apply to all cases, but can work as a starting point. On another topic, I'm considering switching to making

This week's tutorial is about death and take hit animations. Remember that most of this action can be conveyed through the correct use of easing. Here some other tutorials that can be useful on this subject: Blood and guts Animation easing Explosion As always, thanks a lot for all the support! PS. I

I like drawing sand because it's one of those things that I can use some simple tricks to draw and that's basically: draw wave > make the center thicker > add a shadow > repeat Also, I'm trying to make my tutorials a little more focused, like I used to do before, a little less text and a little more

After a one week break, here's another vegetation tutorial! I love making those. In this one I focused on making more realistic textures from photo references and on tropical and jungle vegetation. If you want, here part 1 and part 2. Thank a lot for your support and let's draw some plants :)

Here's this weeks tutorial and it's about drawing cute stuff! Drawing cute characters is not really my specialty but I put some guidelines of what I usually think when trying to draw cute characters. Just remember that there are many different ways to achieve this cute effect, this tutorial show onl

One day late, but here it is! Modular animation :D Honestly, I don't like making modular animation, I try to use them only for big sprites or other situations where it would save me lots of time. Even with many advantages, like being able to animate procedurally it's still feels stiffer and unnatura

Those are some general guidelines for animating breaking objects that I usually use. Just don't forget that different materials have different behaviors! Some other useful tutorials on this subject: Explosion Fire Smoke Thank's a lot for the support :)

This is my take on darkness and how to use it in cool ways. When drawing dark things I like to appeal to the viewers imagination, showing only what I really have to show and letting them complete the image by themselves. As always, thank you a lot for the support and until next week!

I decided to break up the UI theme into several parts and this is the first one. The 9-slice (and the 3-slice) is, in my opinion, the basic element of every UI and a good place to start, since you can reuse it pretty much everywhere. Here's a quick reference of what I like to call the parts of the 9

This is a hard theme, but it's also something I really like to work with. The good thing is that learning 1 bit is very useful for working with any type of pixel art, for example: These props I made for Celeste are not 1-bit per se, but knowing how to work with 1-bit helped me a LOT while designing

Finally, my #50 tutorial! And probably the theme that stayed for the longest time in the voting poll. This is my take on wind. In my opinion wind is very hard to animate, it's a weird balance between random patterns and ordered patters and sometimes it's hard to find the middle. As always thank you

This is one of my favorite things to draw, I love making BG stars. My main concern when working with this is the contrast, you need to keep it under control and be careful to avoid noise. Thank you so much for all the support!

This is the simplest walk cycle I could come up with. I made it 12 frames long, so I could easily cut it down to 6. Unlike this cycle I made most of the walk cycles have 8 frames +2 (10) for fluidity. A nice tip that I forgot to include is to focus first on the legs and then on the arms if you are g

Usually I avoid too many outlines in pretty much all pixel art I make, since I work with very low resolution, except for a black outside border. I put that outside border almost everywhere because it helps a lot with the contrast and silhouette. I also have talked about lines before in this tutorial

This is probably one of my most complex tutorials. If you want to learn how to make a quadruped walk cycle you need to make a biped walk cycle first then do it twice and offset the time by around 25% or so, depending on the walk style you want. Quadrupeds are very complex and can walk, trot, run, ma

Those are some simple tips on how to work with shadows and how to avoid muddy/boring shadows. Hue shifting, and band compression are simple and effective techniques to handle that. For a more in-depth guide on colors, check this awesome tutorial: http://www.writedesignonline.com/resources/design/rul

This is my tutorial about clouds, I was going to explain about the many types of clouds but I think it's better to focus on how to draw a "basic" one first and then later I can do one on cloud types. Clouds are very similar to smoke, so you might want to check my Smoke tutorial too. I also made a tu

This is not exactly a tutorial, it's more like a reference sheet, so I would recommend you to refer to it when in need for some inspiration for environmental hazards in games. Also, feel free to download this gif and check it frame by frame, that's always a good thing to do. Other useful tutorials:

When making flags always be careful to not overdo the folds and details, or everything will get very messy. For the movement, when not sure always remember sine waves. Other tutorials that might help you with the subject: Chacter Idle Fundamentals Part I and Part II <1 Pixel Movement

Animating blood, guts and gore is all about animating particles properly, knowing how to draw particles is a very very useful skill. I like to think of the general whole picture first and then simulate each part individually. Here's some of my other tutorials that have related themes: Slimes:https:/

This tutorial was so hard to make, but I hope it's not too confusing. Some softwares can help when it comes to making tiles. Aseprite has the awesome function "View > Tiled Mode > Tiled in Both Axes" that helps so much when making the middle tile. And Pyxel Edit has a bunch of cool features for maki

Although I really like very bouncy idles it's important to always pay attention so it doesn't look like the character is dancing - unless that's your intention, obviously. Since the idle animation doesn't move much or moves very slowly, a <1 pixel movement* might be required. I also made a tutorial

And here's my tutorial about bullets! I took a lot of inspiration from Vlambeer's talk The Art of Screenshake, which I recommend a lot! For drawing bullets is also very important to look for reference in other games, such as Metal Slug, Mercenary Kings, Enter the Gungeon, Flashback (that makes reali

This was a especially hard subject for me, but after some research, I think I managed to learn a lot and compile some general tips that were useful to me! About the "metal doesn't stretch" tip, note that there are some exceptions, metal can bend and stretch if it has some unnatural property or if yo

Here's one of the most important animation principles, squash and stretch! It's has a some similarities to motion blur, and they are great if used in conjunction. For further study on the subject I recommend this video: https://www.youtube.com/watch?v=haa7n3UGyDc by Alan Becker and my motion blur tu

Sorry for not posting last week, I was sick for a while and decided to take a week off work to rest and get better. And it worked :D I'm finally better now! This week's tutorial is about a very important thing called motion blur! Although we stylize a lot, I also recommend looking at real motion blu

Instead of explaining how to draw individual stuff I decided to share my process when making city tiles and backgrounds. Cities are very "blocky" but also have lots of life into it, so my process tries to reflect that. I start with the raw blocks and slowly try to add details and signs of life into

My original plan was to explain more stuff but I ran out of space :P So, banding will be explained in more details on another tutorial! In pixel art I always try to "hide" the squares as much as I can. When the pixels are too aligned they tend to look very stiff, so I always try to break as many lin