Andrew Nitts

In this track, I used a polymetric mid bass pattern. Because the pattern shifts against the rest of the track, it creates occasional conflicts with the other low-end elements. Instead of creating individual automation throughout the entire track to resolve these conflicts, I created a dedicated duck

In Project 114, the low end is built from two elements: kick and bass. The techno bass is created in Granulator III using a bass one-shot as the source sample. In this video, I break down the full bass processing chain, including EQ, gain control, ducking, automation, and dynamic control. The proces

It took me a long time to understand how to make a clap sit properly in the mix. Before I started using a loudness meter, I couldn't actually see that the kick and clap playing together were creating a noticeable increase in signal level. As a result, my master limiter had to work harder than necess

Granulator III is one of my favorite tools for experimenting with sound design and creating unique FX textures. Some of the most interesting and characterful results appear when playing samples in the lower octaves, where familiar sounds can transform into something completely unexpected. One of the

140 BPM Techno Ableton Template This Ableton Live techno template is built around a solid, classic low-end foundation at 140 BPM. The low end consists of three essential elements: kick, rumble bass, and toms, creating a powerful and versatile groove that works well in many styles of underground tech

Note: This video uses the macOS keyboard layout. Using this analyzer makes it easy to spot peaks in your mix. Why do I think this is important? Because excessive peaks make your master limiter work much harder than it should. My goal is to keep the limiter working at around -2 dB of gain reduction.

As always, I decided to fine-tune the bass. Initially, the rumble bass repeated after every kick drum hit; there was no variation. I split the rumble bass across four tracks. To alter the groove, I used the "track delay" parameter. I adjusted these settings for the bass tracks until I found a bass m

A low-end techno tutorial based on the Project 77.1 This is just one of many ways to create low-end - it’s not a rule. It’s another piece of knowledge to add to your experience. I particularly like the "kick layer." I love how it brings the kick to life and adds movement to the mix.

In this track, I paid special attention to crafting the low end. The kick consists of five layers. I build the groove around the initial kick. Once all the track's elements are in place, I EQ that initial kick (always differently each time to eliminate muddiness). Then, I select new layers to add de

This project uses a simple bassline consisting of three notes. However, each note is separated into a separate track. When it's in a single MIDI track, the bass blends into a booming mass for me. By splitting each note into tracks, I can adjust the delay for each one using "track delay." I try diffe

The archive contains project 104 + bonus project 104.2. I didn't make a separate post for the bonus template 104.2. It gives me mixed feelings. But I don't want it to remain on my hard drive forever. I think you'll find something useful in the bonus template. In this bonus template, I wanted to make

The low-end in this track may seem complicated. But once you understand the principle, everything falls into place. By dividing the bass into separate tracks for each bass section, I gain individual control over each section. This allows me to adjust the relationship between each section. It also al

In this project I did not use any compression or sidechain compression when creating the low end. All relationships between bass layers were manually configured. I used the gain utility parameter automation for this configuration. The Low End Group and all its elements are configured, except for the

In this project, I used third-party plugins to create sounds. I then resampled them. I plan to make a series of videos on how to generate similar sounds. For now, I'll explain it in text. "Sound 1" was generated using "CHEat code" plugin. I tried different samples and used random preset generation i

On the track "3-Kick," I used the Color Limiter. It's not installed by default in Ableton; you can install it via Places - Packs - Creative Extensions (in the left-hand menu). If you can't install the Color Limiter, simply deactivate the "Limiter Rack"—the sound won't change dramatically. I changed

Techno Template Project for Ableton Live Suite 12.3.2 and higher. An energetic track with a hook derived from a vocal one-shot. Tracks 12, 13, 14, 15, and 17 feature the "track delay" function - it works differently in each track, in some for groove, in others for consistency within the context of t

First of all, pay attention to the track delay settings on each channel. In this project I decided to experiment with that, and it had a noticeable effect on the groove. This track has a very percussive character - everything is built around the groove. I tried adding different synths and melodic el

This template was inspired by the track: "Yanamaste - Modulation Detected (Mutual Rytm Records)" It has a simple arrangement, without any dramatic changes. The main goal is to create a groove loop. Note the delay channels for some elements. On low-end elements, this corrects the phase. Don't be surp

A project in the deep-hypnotic techno style, using a lot of sounds, textures, and percussion. For more information on creating FX from a guitar, you can watch my video on YouTube. Techno Template Project for Ableton Live Suite 12.3.2 and higher.

A body techno project. With an energetic dance groove and percussion. My favourite element in the track is the FX3 - it's made from the sound of a penguin. I got this sound from a children's YouTube video about guessing animals by their sounds. Techno Template Project for Ableton Live Suite 12.3.2 a

In this track, I used my own self-recorded sounds to create the FX. You can find a more detailed breakdown in the video at the link. The entire FX group is especially interesting to me in this track, as experimenting with FX and creating unique textures makes the track original and adds variety to i

In this project, I use resampling to create unusual FX for filling and enhancing the track. I recorded a video where I explain the entire process in detail, and I highly recommend watching it. Techno Template Project for Ableton LIve Suite 11.3.30 and higher.

In this project, I want to draw attention to changing the tuning of the synthesizer. In this case, I’m using the Colundi scale. You can see exactly how it works in the YouTube video. Sinc Vereor and Virt Vereor are excellent free synthesizers suitable for creating techno, and they include a scale-ch

Template preview: https://soundcloud.com/andrewnitts/project73 Install Granulator III from Ableton Packs if it’s not already installed. In this project, Synth 2 is controlled via the second track. The “Synth 2 trigger” track sends a signal to the “Synth 2” track, to the Operator. On the “Synth 2 tri

Template preview: https://soundcloud.com/andrewnitts/project69 I was inspired to create this track by Oscar Mulero - Cosmic Glasses. I aimed to capture a similar vibe, synth, and atmosphere close to the original. If you’re interested in how the synth was made, there’s a tutorial video available on Y

Template preview: https://soundcloud.com/andrewnitts/project68 A hypnotic techno track with a deep atmosphere. An interesting way of creating the main hypnotic synth out of a single one-shot. Lately, I prefer to design the right sound through modulation rather than searching for presets or ready-mad

Template preview: https://soundcloud.com/andrewnitts/project66 This track was inspired by one of Nørbak's recent releases. I watched his interview where he mentioned using Spectral Resonator and OTT, so I used these effects when creating the sounds for this track. In this project, there’s a rack on

Template preview: https://soundcloud.com/andrewnitts/project65 I like how in this project the use of "Shifter" changes the sound of the synthesizer. Throughout the entire track, the synthesizer is automated, creating a hypnotic effect — in some parts it sounds darker, in others brighter. Techno Temp

Template preview: https://soundcloud.com/andrewnitts/project64 This project uses a free synthesizer from Noise Engineering – Sinc Vereor (VST version). The preset is included in the archive. I also added a dreamy pad using a sample, and I really like how it sounds. Techno Template Project for Ableto

Track Preview: https://soundcloud.com/andrewnitts/acid-techno-tutorial Bright Techno Acid Track. Of the third-party plugins, only Phoscyon 2 for the 303 synthesizer. I like the layering technique of 303 synthesizers, you can get interesting timbres. The project uses the VST3 version of Phoscyon 2. I

Template preview: https://soundcloud.com/andrewnitts/project62 I was inspired to create this track by one of the AgainstMe tracks, which was released on HAYES records. When creating any track, the main thing is balance, especially between the kick and all other elements of the track. Sometimes it is

Template preview: https://soundcloud.com/andrewnitts/sets/projectpack61 I was inspired to create these projects after listening to the album "Jonas Kopp, Pulso - Equivalencias de Campo". It has a deep, hypnotic, ambient sound. The projects are built using constant modulations, an exciting, hypnotic

Template preview: https://soundcloud.com/andrewnitts/project60 The track was created using the Zero G sample pack - Disc 2, Disc 3. Each loop has an inscription indicating where the sample was taken from. Pay special attention to the following audio clip settings, these settings play a key role in a

Template preview: https://soundcloud.com/andrewnitts/project59 VIL style track from HAYES records. The project uses the free TyrellN6 synthesizer (VST 3). If you installed the synthesizer, and it does not open when loading the project (this can happen if you are on a mac and you have the AU version

Template preview: https://soundcloud.com/andrewnitts/project58 First I made a groove, then I wanted to add something atmospheric, but that would emphasize the groove. I took a synth-pad sample, gave it a unique and suitable timbre through vst Cheat Code. Then I found a percussion loop that fits the

Template preview: https://soundcloud.com/andrewnitts/project57 A template with energetic drums and percussion. Pay attention to the parameters in the audio clips for the loops — the envelopes (clip gain), the transient envelope (for example, in Loop 1), and also the pitch parameter. Techno Template

Template preview: https://soundcloud.com/andrewnitts/project56 The project is made from samples and one shots. But processing with effects allows you to get interesting timbres from a sample. As an example, Synth 1. The main thing is to maintain tonal balance, and that each element is in its frequen

Template preview: https://soundcloud.com/andrewnitts/project52 Hello everyone! I had a long vacation and a move, so there was a short break with the templates and videos. Project 52 was created in a freestyle — I didn’t use any reference while making it. Techno Template Project for Ableton LIve Suit

Template preview: https://soundcloud.com/andrewnitts/project50 Techno Template Project for Ableton LIve Suite 11.3.35 and higher. Native plugins only. This project has a groovy bass line. Made from individually selected toms one-shots. The hardest thing for me in this project is to find the right vo

Template preview: https://soundcloud.com/andrewnitts/project49 Techno Template Project for Ableton LIve Suite 11.3.35 and higher. Native plugins only. The reference "Alarico - Pizzicato" was used to create this track. The original Alarico track was released on HAYES.

Template preview: https://soundcloud.com/andrewnitts/project46 Techno Template Project for Ableton LIve Suite 11.3.35 and higher. Native plugins only. The bass was created using TOM's rack. The synth is created using a sample from my author's sample pack, it is also available on patreon.

Template preview: https://soundcloud.com/andrewnitts/project44 Techno Template Project for Ableton LIve Suite 11.3.35 and higher. Native plugins only. The track is created in a structure and atmosphere similar to Isaiah's tracks. Maybe I made a more obvious techno sequence than in his tracks, not fu

Template preview: https://soundcloud.com/andrewnitts/project41 Techno Template Project for Ableton LIve Suite 11.3.35 and higher. Native plugins only. A special feature of the production is the use of various modulations on Dub Chords - Synth 1. The original synth always sounds the same, but by crea

Template preview: https://soundcloud.com/andrewnitts/project38 Techno Template Project for Ableton LIve 11.3.35 and higher. Native plugins only. I identified this track as the "Techno" genre. The idea was to combine a house beat and a techno sequence. I think it can also be called Tech-House. The vo

Template preview: https://soundcloud.com/andrewnitts/project37 Techno Template Project for Ableton LIve 11.3.35 and higher. Native plugins only. This track has a house/funky atmosphere. Pay attention to "7 PERC GROOVE" and "8 BONGO". The length of the loop and where the loop starts. The vocals are s

Template preview: https://soundcloud.com/andrewnitts/project36 Techno Template Project for Ableton LIve 11.3.35 and higher. Native plugins only. Project using congo, bongo, 303 acid bass, flute, tribal cry, Toucan bird. Tribal atmosphere.

Template preview: https://soundcloud.com/andrewnitts/project35 Techno Template Project for Ableton LIve 11.3.35 and higher. Native plugins only. I know that most of you like hardgroove/percussion/tribal techno. The following projects will be in these styles. I created the deep acid techno project be

Template preview: https://soundcloud.com/andrewnitts/project34 Techno Template Project for Ableton LIve 11.3.35 and higher. Native plugins only.