Andrew Nitts

In this track, I used a polymetric mid bass pattern. Because the pattern shifts against the rest of the track, it creates occasional conflicts with the other low-end elements. Instead of creating individual automation throughout the entire track to resolve these conflicts, I created a dedicated duck

In this track, the low end is built using only two elements: the kick and the bass. Keeping the foundation simple makes it easier to achieve a clean, powerful mix while leaving enough space for the rest of the arrangement. The bassline was created entirely with Granulator III. I really enjoy using g

I once asked a producer how he made such a great-sounding kick. His answer was simple: "A lot... a lot of layers." For this template, I decided to put that idea into practice, and I think the result turned out really well. I start by building the initial groove using only a single kick layer - the m

The reference for this track was one of Coyu's tracks from the Samba Sessions series. In this project, I started the track with the kick and the main percussion groove. I added the bass (rumble and toms) at the end, after the main groove was already established. Why did I do it this way? Usually, wh

140 BPM Techno Ableton Template This Ableton Live techno template is built around a solid, classic low-end foundation at 140 BPM. The low end consists of three essential elements: kick, rumble bass, and toms, creating a powerful and versatile groove that works well in many styles of underground tech

For this track, I wanted to put the main focus on a repeating loop that drives the groove and creates a strong dancefloor energy. The arrangement follows a classic techno structure with a clap and ride keeping the momentum throughout the track. The main synth was created using Ableton's Granulator a

As always, I decided to fine-tune the bass. Initially, the rumble bass repeated after every kick drum hit; there was no variation. I split the rumble bass across four tracks. To alter the groove, I used the "track delay" parameter. I adjusted these settings for the bass tracks until I found a bass m

In this track, I paid special attention to crafting the low end. The kick consists of five layers. I build the groove around the initial kick. Once all the track's elements are in place, I EQ that initial kick (always differently each time to eliminate muddiness). Then, I select new layers to add de

I enjoy creating this type of track. They rely on a loop-based approach: the main task is to create a dance loop, and then the full track structure is built by adding or removing elements every 8 or 16 bars. No dramatic transitions. No epic breakdowns. No narrative arc. Just a loop with shifting ene

This project uses a simple bassline consisting of three notes. However, each note is separated into a separate track. When it's in a single MIDI track, the bass blends into a booming mass for me. By splitting each note into tracks, I can adjust the delay for each one using "track delay." I try diffe

Granulator III was used to create the synth in this track. By experimenting with the granulator parameters and automating them, you can find interesting textures and movements in the sound. The initial synth loop and the final result are decidedly different. The loop contains different notes, and by

The archive contains project 104 + bonus project 104.2. I didn't make a separate post for the bonus template 104.2. It gives me mixed feelings. But I don't want it to remain on my hard drive forever. I think you'll find something useful in the bonus template. In this bonus template, I wanted to make

This track has a simple low end. The main sound movement is created by the low end + perc 1. I find this track a bit experimental, as it features adapted strings. As always, it's important to create a solid foundation for the track, then manage its energy by adding and subtracting elements from the

The low-end in this track may seem complicated. But once you understand the principle, everything falls into place. By dividing the bass into separate tracks for each bass section, I gain individual control over each section. This allows me to adjust the relationship between each section. It also al

To achieve a Latin/samba vibe in a hardgroove techno track, you need to make a regular hardgroove techno track, but use samples in the styles of "Latin, samba, apito samples, djembe samples, flamenco/Spanish acapellas." Anything characteristic of this ethnic music will work for the samples. If you w

In this project I did not use any compression or sidechain compression when creating the low end. All relationships between bass layers were manually configured. I used the gain utility parameter automation for this configuration. The Low End Group and all its elements are configured, except for the

In this track I adjusted the low end as precisely as possible. Each bass rumble section is placed on a separate track for maximum precision tuning. Each rumble bass section is placed on a separate track for individual adjustments, such as sample length, fade-in/fade-out, volume, and track delay. I t

In this project, I used third-party plugins to create sounds. I then resampled them. I plan to make a series of videos on how to generate similar sounds. For now, I'll explain it in text. "Sound 1" was generated using "CHEat code" plugin. I tried different samples and used random preset generation i

Three projects. I created them freely, without any specific subgenre as a reference. Сreated using Ableton's native instruments. This is how I see techno music at the moment, perhaps with a melancholic vibe. Techno Template Project for Ableton Live Suite 12.3.2 and higher.

On the track "3-Kick," I used the Color Limiter. It's not installed by default in Ableton; you can install it via Places - Packs - Creative Extensions (in the left-hand menu). If you can't install the Color Limiter, simply deactivate the "Limiter Rack"—the sound won't change dramatically. I changed

The low end in this track is made up of five elements. Track Delay is used on tracks 10, 11, 13, 17, 32. The sound for the track "25 Noises 1" was obtained by recording audio from Granulator III. Add a random sample to the Granulator, enable recording, and change the position and parameters in the G

Techno Template Project for Ableton Live Suite 12.3.2 and higher. An energetic track with a hook derived from a vocal one-shot. Tracks 12, 13, 14, 15, and 17 feature the "track delay" function - it works differently in each track, in some for groove, in others for consistency within the context of t

For this project, I used Marcal's reference, but didn't completely replicate the sound, just the atmosphere and structure. The track is groovy, percussive techno. The bass consists of three layers, carefully tuned to ensure the bass doesn't sound muddy. Track 30 was recorded from track 29. When reco

First of all, pay attention to the track delay settings on each channel. In this project I decided to experiment with that, and it had a noticeable effect on the groove. This track has a very percussive character - everything is built around the groove. I tried adding different synths and melodic el

A groovy techno track with percussion, textures, and foley. No extreme limiting on the master channel to maintain dynamics. Techno Template Project for Ableton Live Suite 12.3.2 and higher.

This template was inspired by the track: "Yanamaste - Modulation Detected (Mutual Rytm Records)" It has a simple arrangement, without any dramatic changes. The main goal is to create a groove loop. Note the delay channels for some elements. On low-end elements, this corrects the phase. Don't be surp

A project in the deep-hypnotic techno style, using a lot of sounds, textures, and percussion. For more information on creating FX from a guitar, you can watch my video on YouTube. Techno Template Project for Ableton Live Suite 12.3.2 and higher.

A body techno project. With an energetic dance groove and percussion. My favourite element in the track is the FX3 - it's made from the sound of a penguin. I got this sound from a children's YouTube video about guessing animals by their sounds. Techno Template Project for Ableton Live Suite 12.3.2 a

The reference track for this project was Marco Bailey - Konverter. The concept of creating tracks in this style is to use 90s sample packs, distortion/overdrive, finding the groove, and focusing on repetition. For this project, I used only Ableton Live’s stock plugins. Techno Template Project for Ab

In this project, I used the free synthesizer Sinc Vereor by Noise Engineering. It’s excellent for creating techno. I like how it sounds and its random preset generation. In the template, I used the VST version to ensure compatibility on both Windows and macOS. I also included the presets used. Techn

In this template, I created the lead synth using Operator. The low end is made from a standard 909 kick and my own kicks from a sample pack. By automating parameters in Operator, you can create a wide variety of timbres for the synth throughout the entire track. Pay attention to how the Saturator on

While creating these projects, I didn’t copy anyone else’s style - I simply made the tracks as experimental as possible. If you see an audio file on an audio track, in these projects I generated those sounds using the Cheat Code VST and then resampled them. In these tracks, I focused on searching fo

In this track, I used my own self-recorded sounds to create the FX. You can find a more detailed breakdown in the video at the link. The entire FX group is especially interesting to me in this track, as experimenting with FX and creating unique textures makes the track original and adds variety to i

Standard techno track. Created in Ableton Live 12. A techno track on a free theme. When I make tracks at this tempo - 145 BPM - I always somehow drift into a melancholic atmosphere with pads. The vocal sample on track No. 30 is resampled, because I didn’t want a static-sounding vocal one-shot, and d

Contains three projects. I think each of you has asked yourself the question: what truly makes a sound original and unmistakably your own? How do you become more creative and craft interesting timbres and textures? For me, the answer came from working within limitations. I found it incredibly inspir

Standard techno track. Created in Ableton Live 12. For the synth design, I used Meld and Roar. Techno Template Project for Ableton LIve Suite 12.2.6 and higher.

In this project, I use resampling to create unusual FX for filling and enhancing the track. I recorded a video where I explain the entire process in detail, and I highly recommend watching it. Techno Template Project for Ableton LIve Suite 11.3.30 and higher.

Contains three projects. When creating these projects, I used only my own original samples. And once again, I realized that you can create an interesting sound from absolutely anything. For me, this is the only way to discover unusual textures. These deep, hypnotic techno tracks are about a state of

This is a techno track project with no connection to any specific artist — a free theme. It can be considered an original track. To explore more interesting sounds and ensure maximum compatibility, the project was created using one-shots and samples. Techno Template Project for Ableton LIve Suite 11

I was inspired to create this track by "dxrvo - Echo”. It’s a groove techno track without drops or build-ups - just kick and percussion. It helps me refresh my perception by creating different subgenres of techno. Techno Template Project for Ableton LIve Suite 12.2.6 and higher.

In this project, I want to draw attention to changing the tuning of the synthesizer. In this case, I’m using the Colundi scale. You can see exactly how it works in the YouTube video. Sinc Vereor and Virt Vereor are excellent free synthesizers suitable for creating techno, and they include a scale-ch

Template preview: https://soundcloud.com/andrewnitts/project73 Install Granulator III from Ableton Packs if it’s not already installed. In this project, Synth 2 is controlled via the second track. The “Synth 2 trigger” track sends a signal to the “Synth 2” track, to the Operator. On the “Synth 2 tri

Template preview: https://soundcloud.com/andrewnitts/project72 In this project, I used polymeter on several instruments: 6 – TOM, 12 – SYNTH 1, 13 – FX 1, 14 – PERC 1. These kinds of rhythms create a hypnotic effect of trance and deep immersion. Techno Template Project for Ableton LIve Suite 11.3.35

Template preview: https://soundcloud.com/andrewnitts/project71 I was inspired to create this track by "Maeksll - Schneeregen." It has a melancholic atmosphere and a clean sound. It's music that helps me get through autumn. Some of my projects may seem complex, with many tracks and layers. I tried to

Template preview: https://soundcloud.com/andrewnitts/project69 I was inspired to create this track by Oscar Mulero - Cosmic Glasses. I aimed to capture a similar vibe, synth, and atmosphere close to the original. If you’re interested in how the synth was made, there’s a tutorial video available on Y

Template preview: https://soundcloud.com/andrewnitts/project68 A hypnotic techno track with a deep atmosphere. An interesting way of creating the main hypnotic synth out of a single one-shot. Lately, I prefer to design the right sound through modulation rather than searching for presets or ready-mad

Template preview: https://soundcloud.com/andrewnitts/project67 Techno project with hypnotic synth. I like how the kick layer sounds in this project. Techno Template Project for Ableton LIve Suite 11.3.35 and higher.