Meet the cast: Victoria Ellison
When I announced NOIR: Skin Deep, I promised I'd introduce the women one at a time — properly, not a line each, but who they actually are. I'm starting with Victoria. She's the first one the case puts in front of you.
Name — Victoria Ellison (née Marsh)
Age — 38
Height — 5'10"
Role — the victim's widow
She's the kind of woman a room rearranges itself around. Five-ten before the heels, and she's always in heels — not for the height, but for what the height does: men look up, and eye contact becomes something she grants instead of gives. Golden blonde, worn in soft waves that look effortless and take an hour. A red mouth she keeps exact — the kind of red that becomes the thing you watch when she talks.
Here's the thing to understand about Victoria, though: none of it is accident. Every piece of her — the heel, the hair, the neckline measured to the inch, the dress cut to follow exactly the line she wants your eye to follow — is deliberate. She isn't beautiful by luck. She's beautiful by decision, by discipline, by knowing precisely what beauty does to people and how to aim it.
And she built every inch of it herself, from nothing. She came out of a flat, hot, going-nowhere town — a drunk father, a mother who smiled at strangers all day and came home to a man who'd long stopped seeing her. She left at eighteen with almost nothing and taught herself the rest: how to walk, how to talk, how to stop being the girl from that town and become a woman who could belong in any room in the city. There's a sharp, fierce intelligence running under the gloss that no one ever put a diploma on.
And that's the part that stays with you: the composed woman in front of you is only the part she's decided to show. Something moves underneath it — quicker, harder, maybe funnier than the surface allows. She keeps it behind glass. The pull of Victoria isn't the dress; it's wondering what it would take to get her to set the performance down — and whether she ever does.
You meet her through the case. Her husband is the man in the morgue; you're the detective who caught it. She's careful with you at first, the way she's careful with everyone. But it doesn't take her long to decide that of everyone wearing a badge in that building, you're the one worth her attention. Where that goes — and how far — is up to you.
She's going to matter in this story. And what I want from her more than anything is a character who splits the room — some of you will see a woman caught in something bigger than her, someone who needs an ally; others will see someone calculating and cold, who hasn't earned a shred of your trust. Which of them she turns out to be in your game is entirely up to you.
More of the cast soon. 🖤
Comments (10)
I'm a simple man. I see a woman 35+ and immediately want to make them my main LI.
With closed eyes game ending feels rushed so in this game take time
To be honest, I'm not sure what to think about her. I suppose it will depend on the dialogue, her mood swings and the context. That's something we'll only see by playing 😅. Do we know the scope of this game yet, Ker? I know it's too early to talk about the number of renders — I mean, how many pages have you written? Is it longer than Going Rogue? Is it the same as With Eyes Closed? 🤔🤷. Have a good one 🫡! P.S.: I've seen measurements in inches countless times, but I just can't seem to learn them. It's as if you have to be taught to think like that as a child, otherwise you're hopeless! 🤣. I had to Google it: she's 178 cm tall without heels! Quite tall 😱!
Thanks for the thoughtful questions! 🫡 Exact numbers are still impossible — the dialogue isn't written yet — but I can give you the shape of it: the story is built across 7 chapters, and it'll run longer than Going Rogue, while staying comfortably shorter than both seasons of With Eyes Closed put together. And ha, yes — 5'10" before the heels. She's tall on purpose. 😄
Art is...well, art. It catches attention, draws you over and flips psychological switches. But it's the writing and the story that sucks you in or turns you away. I don't like calculating blondes with hidden motives. At first glance I'd ignore her. And that's why it takes authors and experience for an AVN to really work. Based on the last one from Ker, we'll see her in another light, minds will change and.... I still won't like cold, calculating blondes 😂! But I'll keep coming back to validate that POV, just in case 😘🤣
Appreciate you laying this out. 🖤 You're right — the art only gets you to the door; the writing decides whether you stay or walk, and that's where most of the work goes. And Victoria splitting people exactly like this is the whole point: some will never warm to her, some will swear she's been misread — and the game won't tell you who's right. You decide. So come back when it's out and put that POV to the test. 😏
Very interesting and creative. This really caught my interest. 😎
Thank you! Great to hear. 🖤 There's a lot more of the cast still to come, so I hope it keeps pulling you in. 😎
But i think Victoria looks a little like the Yellowstone Actress Kelly Reilly who is a hell of a Woman… First glance and i already love it, Ker my brother, gorgeous work ! 🫡🔥💯
Do you not suspect her of being the murderer? 😏🍷.
