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February 21, 2025

Mastering a DNB song [video]

I want to be covering mastering more. Episode 1 here: mastering a DNB song that needs its tone corrected. Let's make it nice and balanced.

I want to be covering mastering more.

Here, I had a particularly harsh-sounding song that mostly needed its tone to be balanced out. I'm showing the tools I used for it and talk a little bit about mastering in general.

I'm also showing how I set up my mastering projects.

I obviously have way more tools that I use in this project.

More mastering stuff coming! This one was sort of simple, yet demanding tone-wise.

Qs? Hit me up!

Comments (9)

J
Jerome Robins · February 28, 2025

How do you get your bands set on the dynamics of ozone? You don’t use learn?

F
Fanu/FatGyver · February 28, 2025

never used learn. often set them by ear, like what feels good / useful per band. 2nd band: 70-520 3rd band: 520-9.5K

J
Jess Dombrosky (JMOD) · February 25, 2025

This is great to see. Recent discussions with other producers have me referencing (finally), and I've found out that clipping is necessary if I want to match certain references. That said, liquid DnB tracks seem to be a mixed bag when it comes to dynamic range. Most aren't below -6 to -7 RMS, but some are like -3.2 (which I somehow matched, by clipping.) How does one view/check for interstitial peaks? I was told that track sounded good, but now I'm not sure if that wasn't because it was loud. 😄

F
Fanu/FatGyver · February 25, 2025

For example, on Mac, you can type into terminal "afclip" and drag a file into that…then hit enter, and if you have no ISPs, it's a short bit of text you get, but if you do have ISPs, you usually get a pretty long list of numbers. For the record, I do NOT recommend anyone trying to push their stuff to -3 unless they're masterful engineers...that is a danger zone and nearly 100% of the time unnecessary. There is a lot of great stuff around -7/-6.

S
Sunsyde · February 21, 2025

Great video! I typically end my mastering chain with standard clip -> invisible limiter. Any considerations or differences between using a clipper and limiter, instead of two limiters?

F
Fanu/FatGyver · February 21, 2025

Clipper is way less forgiving if 1) you push it a hair too much or 2) have a bit too much bass (limiter can flex a bit) So in some cases it’ll distort more easily. I never clip the master unless going louder than -6 or so

d
donald garden · February 21, 2025

Great stuff 🙏

J
John Denheen · February 21, 2025

Ozone sub compression is a great tip. Sub target level in span is a great tip. The Master Rebalance technique is a great tip. This is definitely worth watching carefully!

F
Fanu/FatGyver · February 21, 2025

Glad you like! I will be covering more scenarios in the future, containing these little tips...there's a lot of small stuff always to take into account!