Analyzing The Sax Solo From Dolphin Shoals

I’ve always felt like a faker doing goofy improv solos by just chaining a couple of riff building blocks together, I guess that totally makes sense that jazz virtuosos do too... just with a huge library of riffs and runs to fall back on 👌👌

great analysis. now I know what a melody enclosure is and looks like! also can you do advice or recommendations to work on transcription, I think you mentioned that you transcribed a lot of drums at the beginning, do you think that is a good idea to just focus on rhythms over 4/4 (transcribe only drums for a while) and then add the pitch component in order to just deal with some challenges one at a time? cheers !