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September 11, 2026

The most common issue with the most common bass (miniseries ep. 5)

This tutorial will teach you how to create the most popular basslines but also avoid its most common shortcoming in its low frequencies.

One of the challenges as an audio engineer is a drifting sub in many electronic styles.
It may not be obvious to you at home why it's not great, but especially if you play it at a club, you realise the power of your song fluctuates too much, and you don't want that.

By understanding some audio physics, we can tackle that, and you'll get a strong sub.

Being an audio engineer, I need to be able to handle some challenges, so I’ll cover my usual method of treating a sub if it can’t be fixed at the source.

At 6 minute mark on the video, you'll hear a very powerful bass with strong sub and harmonics and you can create it in 60 seconds or less. That's the stuff that makes the woofers shake.

Let's get relentless, unwavering bass right for good.

Comments (6)

J
Josh Laverick · September 11, 2026

What are your thoughts on using a low passed square wave as a sub?

F
Fanu/FatGyver · September 11, 2026

That’s a great sub!

A
Antony SC · September 11, 2026

Thank you Fanu. I'll be sure to always think of this for all b-line synthesis I do from now on

F
Fanu/FatGyver · September 11, 2026

Keep the sub sturdy! 👊🏻

S
Stephen Hogg · September 11, 2026

Well that's an interesting use for a compressor. Like that's textbook what it does and what it's for but somehow I would never have thought of that as a solution to a wavering sub

F
Fanu/FatGyver · September 11, 2026

Yeah! It’s a tool I’ll only ever pull out if it’s needed. But it’s a good one to have when it’s called for.