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March 25, 2021

Tutorial: Distortion & Complex Bass Design

Comments (117)

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Kataraxia · July 25, 2026

This is actually so useful thank you so much !!!

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Johan-Luc Labuschaigne · July 3, 2026

Just when I think that we have reached the end of the video KOAN Sound: "I'll add some more variation in" Me: BRAAAAAAAA!!!

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Domi Tsunami · May 5, 2026

No words other than, WOW

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Domi Tsunami · May 5, 2026

and to think this is what they were doing 5 years ago LOL

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Austin Nelson · January 17, 2026

sheeeeeeeeeeeeeeeeeeeeesh!

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Dominic Newman · November 8, 2025

What im confused about is, isnt the gain from a utility placed before a saturator and the gain knob on the saturator the same thing?

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Hugh Wheaton · November 27, 2025

And on EQ8, which comes before and is there specifically for normalizing bumped EQ bands... My guess is just that everyone learns things differently and it's probably just a quirk.

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OpticIlluzhion · October 25, 2025

I was under the assumption that if you were to reveal how you do your sound design it would lead to lots of copycats. I now realize that very few people would be truly able to copy this without years of prior experience in bass sound design, and that those who would be able to do not need this tutorial

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WuzdiP · October 31, 2025

Lots of people can make all kind of sounds, they could give away every secret and every preset and sample, but your favorite producers soul and talent is not in in their sound design, its in the arrangement of the track and the note intervals they tend to choose. You could 100% spend all your time mastering/surpassing Koan Sound design fairly quickly, but then not be able to arrange them tastefully. Its a balancing act.

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Aro Domingos · March 31, 2025

Is this sort of bass design possible using vital ? Im not a big fan of operator so would be nice to know I could redo this on vital :)

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breebump · July 17, 2025

There is FM within Vital. There are two big knobs next to the wavetableposition the first one is for the spectrum effects and the second one is for the frequency modulation. You have to choose the oscillator doing the frequency modulation first, of course.

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kentower · February 25, 2025

Howdy! Awesome tutorial, after 4h I am at Minute 23 :D. I am on ableton 12 and for me with the LFO I hear the automation but I dont see the bell curves move. Does anyone know what I mean and have a solution to it? I mean it works but its hard to see, would like to have it was possible.

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Raghav Wagh · February 26, 2025

top centre on lfo where it says 'mod' , click that, it will change it to 'remote' and you will see the curves moving.

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Ethan · February 12, 2025

Such a legend

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Ethan · February 12, 2025

44:45 “gonna label some stuff cus this’ll get quite complicated… AT SOME POINT”

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Auto Focus · January 16, 2025

How do they get the bass to sound so full? I follow all the steps and mine still sounds thin in comparison. Maybe it's a difference in volume.

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Ethan · February 12, 2025

The thinness can come from so many points in the process, like if u have auto warp on and any of the bounces u do aren’t unwarped before putting them in the sampler, or if any of the cutoffs from the splits are too far apart or automated to be so, genuinely so tricky

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SamL · August 16, 2024

🤯 been in the back of my mind to join this patreon and wow what have i been doing. i knew something like this existed here and yea wow...

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Carlos · March 30, 2024

filters look activated in Operator but they aren't really activated, right?

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GATE.wav · July 7, 2024

I saw that too. My guess is the sustain of the filter envelope is at 100.

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Serf Flerpers · January 8, 2024

for the past 3 years ive tried going through this tutorial maybe 2 or 3 times a year and every time once it gets to around the 35 min mark my bass stops doing the thing. anytime i try automating that resonated eq into all the saturation and distortion it just sounds like garbage

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Andy · June 22, 2024

HAHA! That literally just happened to me (and it takes a LOT longer than 35min to 'get' to 35min in the tutorial). Sometimes I just wanna throw the laptop out the window like a frisbee. Still - the patches do sound sick before that. Who knows... Glad it wasn't just me

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Feddie · November 5, 2023

Trash 2 and Tantrum both discontinued.. lol

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BASSdrop0700 · February 17, 2024

Neutron 4 has the Trash distortion now

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Feddie · November 4, 2023

It's taken me 3 hours to get through the first 10 minutes of this

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Andy · June 22, 2024

I giggled at that... but now I've started working through it I can see why. Gee Wiz! It's totally awesome though. I'm hoping once I make the patch, to replace the distortion units with others I more commonly use to 'compare' all the different versions I can make

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Liquid L · September 8, 2023

that intro is gold

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Danny Roth · August 26, 2023

Apparently tantrum is sold out, weird for a vst

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Ben · April 4, 2023

Hey Will. There is a really throaty, moist bass that you use in tracks like Chalk It Out (1:00-1:10). It's definitely my favorite KS bass - was wondering if you could shed some light on this! Is it a single track similar to the above tutorial; i.e., multiple parallel effects? Or is it layered with some type of foley or a specific distortion? It's such a cool, strange sound because it has such a guttural character but not over the top.

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Michael Lein · July 3, 2022

Having an issue with my Pitch after the final resample. When i pitch up or down on the midi the tone changes but it doesn't really have an effect on the distortions. I set Transposition to a macro knob from Simpler and got this result. When I switch to sampler the transposition works with the distortions, but i cant map that to a knob for automations. Any idea?

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Jas McHugh · June 28, 2022

the gain staging into the distortion is a huge tip. Thanks!

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Diego · June 10, 2022

can anyone explain the reasoning behind pitching the midi up 31 steps, instead of 36? 13:40

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Raghav Wagh · June 14, 2022

Its to bring it back to 'C'. Bass is strongest on 'F' so they designed it on 'F' to get clean and beefed tones and the brought it 'C' so that they can play whatever key want to from the midi.

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Tamir Livneh · February 22, 2022

this is insane, I have never seen someone have this much control over their bass, most people just resample once its gets too messy. sick as fuck.

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Spencer Heaslip · December 30, 2021

Thank you so much. So innovative and creative. Use of distortion is incredible!

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PeacefulJeff · December 5, 2021

I gotta say this is incredible. thank you so much

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Nate · November 10, 2021

2 minutes in and my mind is already blown. Fuggetaboutit

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Richard Carter · October 22, 2021

This is so awesome, however I may have to bill Koan Sound for a new pair of trousers. Only problem I'm encountering (apart from shitting my pants) is with the macro rack, anyone know how to create something like that? Any videos online or anywhere I can download something similar? Any help much appreciated. Cheers and keep up the awesome tutorials!

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Martin Haugen · January 26, 2022

you just have to make a group of the plugins, just mark the plugins you want to make macros with, and hit cmd+G. This puts all the plugins in a group, and to the far left you see a sidebar. Click the icon on top(icon is a macro) and voila

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sEPHROs · October 12, 2021

incredible

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Andy Pletch · August 3, 2021

so after all that do you run a clean sub channel?

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jpz · August 6, 2021

would love to know the answer to this!

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Evan Christian · August 1, 2021

Dont sleep on the gains. i love the level of control , i feel the power!

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Liam Thomas · July 7, 2021

Madness, thank you!

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Peter Vogl · June 18, 2021

Some info for folks inclined to try Tantrum as seen in this video...currently it appears to crash Ableton, Bitwig, and Logic on Mac/Big Sur. I am using an intel chip so this is not a M1 thing. So far I'm having some difficulty getting information about this from them. When I get a coherent response I will post that.

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Ncrypt · June 17, 2021

Absolutely mind blowing stuff. Thank you!

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Brandon Bowers · June 16, 2021

"I'll try distorting it because why not" sound design in a nutshell

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Leon sleator · June 16, 2021

This is so amazing!!! Sometime you should make a tutorial for how to make your more mellow and subdued wobbly basses (like in the song Fuego). I am very curious how you make them

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Ben bagley · June 12, 2021

is that a simpler or a sampler on the first re sample? you say its a sampler but its labeled simpler :'( cant get those sexual pitch bends

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Richard Carter · October 22, 2021

Yeah man I'm struggling with the same thing. I'm trying to make a rack similar to the macro rack but am struggling because I is noob.

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MZRY · May 31, 2021

This has to be one of the more insightful tutorials I have ever watched for any type of bass music,. Clearly explained and demonstrated on a subject that is purely experimental. Thanks a lot for sharing this information it is definitely a more advanced tutorial but opens up endless possibilities in the realm of Automation and DIstortion. I managed to get Tantru on sale when i first watched and its a really interest tool coupled with the likes of Trash and Outputs Therma and Portal too. :D You Guys are Sick Thanks Again!!!

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Sayka Sound · May 31, 2021

Thank you for sharing 🔮

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Peter Vogl · May 24, 2021

Don't know if anyone has suggested this but for many of these videos an Ableton project to study with the processing you are showing would help tremendously. It's easy to let stuff slip by...I work through these with Ableton after watching it once and find I miss many small things along the way. Studying the musical examples of how you applied the techniques would be awesome. Not asking for your actual tunes just the examples you create for these vids. Thanks again.

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Shru-ti · May 26, 2021

That would be pretty cool, especially this project .

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Peter Vogl · May 22, 2021

Got pretty lost near the end but I'll watch and work with it a few more times. I think I'm probably not alone there.....quite the chain(s)....Thanks guys I am eating this stuff up.

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Brandon Bowers · June 16, 2021

you werent joking geez

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Bob Gibson · May 15, 2021

after watching the whole thing, I vote for this as best tutorial of all time, all catagories

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Bob Gibson · May 14, 2021

wow this is amazing, thanks!

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Lele Gambera · May 14, 2021

thanks

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martin colegate · May 10, 2021

probably the best tutorial i ever watched. thanks, guys...

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Robot Pants · May 9, 2021

anyone know what the macro in the sampler is that massively increases the sound on attack? https://imgur.com/a/81wROhG

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Robot Pants · May 9, 2021

nevermind. It's an envelope assigned to the pitch. ... I think.

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Sam Wright · May 2, 2021

I notice that there is all kinds of clipping going on on various devices. is that not really a problem unless the track itself isn't clipping? Since we have the limiter.

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JJ Lyon · May 6, 2021

Yeah the limiter prevents any clipping on the channel as its the last thing in the chain :)

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Ward Yaworski · May 1, 2021

That Valhalla rack you use, do each of those chains have an instance of valhalla on them?

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JJ Lyon · May 6, 2021

I think one of them is completely dry then he automates the one with the Valhalla on 100% wet as a wet/dry control!

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bogdan shilov · April 23, 2021

After hearing Maruda Sudden Death Yakz use Reason foe their sound design and now seeing you guys use it and how it actually works Im SO interested in it. Love the modular/analog approach! Im learning ableton AND reason in this one this is incredible content thank you!!

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Martian Moon · April 21, 2021

Any chance you could share your Operator default patch? I'm only 3 mins in and I can't get my distorted white noise + sine patch to sound anything like yours (sounds awful) I noticed there are some weird things going on in the default Ableton operator patch though, & I think that may have something to do with it. I tried attentively copying every knob, value & parameter, but it's just... not working. Thanks for putting this together though, excited to continue it once I figure this out lol

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Eric Abraham · April 21, 2021

I had the same issue, check your sustain values because that seemed to be the problem with mine, oh and on the first osc their settings are a little different than the rest.

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Lisquander · April 20, 2021

This tutorial taught me more in an hour than I learned in months of school 🥴 I tried using the multiple and gate from trash 2 on those upper particles and it worked really interestingly!! Lol

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KYEN · April 20, 2021

this video broke my brain, holy smokes!!

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Brandon Bowers · June 16, 2021

yeah the end turned my brain to mush. These guys are actually wizards

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KALICODA · April 20, 2021

I would really like to see some more abstract sound design FM synthesis techniques on the next tutorial.

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Kofta Ball · May 24, 2021

Second this.

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Saka · April 18, 2021

thanks for this, gents !

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Ian McKenna · April 17, 2021

This is a great video, but I got stuck for like half an hour on the technique of adding a reverb tail and using the gate to get rid of the artifacts, because no matter what I did to adjust the reverb and/or the level of the reverb chain, the reverb tail was louder than the sampler signal, so the gate had to kill the whole sound in order to kill the tail. I dunno how that happened. Drove me nuts, so I just said 'fuck it' and got rid of the reverb.

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KALICODA · April 20, 2021

Was the reverb in a chain, or on the entire track? If it was on one of the chains, it likely would have been easier to control

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Shanic · April 17, 2021

one of the most insigntfull things i've ever seen thank you so much

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AeonVoyage · April 17, 2021

Holy hell this is a god-tier tutorial, thank you so much

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Rock hard Willy peppers · April 17, 2021

Super helpful, thank you !

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FBWOT · April 15, 2021

This tutorial is incredible, thank you so much !

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Bruno Poynton · April 15, 2021

This is so fucking coooooooooool!! Thanks

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alexg · April 15, 2021

Noticed you have a limiter at the end of the chain on the original sound, is that always at the end of your chain when making these kinds of sounds?

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Frank Dee · April 25, 2021

yes

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Trevor · April 13, 2021

my cpu frowning as i watch this

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Gypsyndicate · April 9, 2021

Unbelievably game changing. Thankyou so much.

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Nuan Sonar · April 8, 2021

WHOOO indeed hahaha I fuckin' love you guys

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Martin Koťátko · April 5, 2021

Alright. That's it. I'm gonna watch this every day before going to sleep. :D

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Kaya Gulten · April 5, 2021

This is amazing! Much love for sharing these tricks!!

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Kevin C. Holmes · April 2, 2021

bruhv

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K+Lab · March 31, 2021

Woah learnt so much, super inspiring, I like how aggressive you are with the EQs and never thought to use a utility to control the mayhem. Had a go processing my analog synths this way and got some cool results, thanks!

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Garrett Davenport · March 30, 2021

You guys are unreal.

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Safko (James) · March 30, 2021

This was one of the BEST tutorials I've seen. Super helpful! Thank you so much!

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John Bach · March 29, 2021

Man I was like tearing my hair out wondering what they were doing in the 2010s...

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SYNCHRO · March 29, 2021

always knew u guys were using the tape mode in scream 4 lol thats my goto too

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Foreigna · March 28, 2021

Love this so much! Learning from true masters :D

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Zsombor Deményi · March 28, 2021

If this was a youtube video it would break the internet

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Zsombor Deményi · March 28, 2021

Even has time for the epic intro to the video 😃 i’m done

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bezio · March 28, 2021

Racks on racks on racks. Utility before distortion...wtf have I been doing with my life. So appreciative to see this level of detail on your iterative process, thank you!

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Weekend Astronaut · March 28, 2021

*Entire cities ablaze, planes falling from the sky like meteorites, screams of agony echoing civilization's last breath* "Let's see what else we can do"

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Joel Sinnott · August 29, 2021

For reallllll!!!!

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Stickybuds · March 27, 2021

Will, the level of mastery displayed in this video is amazing. How you can keep track of all the different chains and parameters that effect each other almost made my head explode at some points. The concepts you go over show what's possible when you invest the time, it's inspiring, much respect and thanks.

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Jack.Lion · March 27, 2021

best tutorial ever going to have to practice

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Tyler Bell · March 26, 2021

Wow, that'sssss... A lot to take in...

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Louis Wyzgowski · March 26, 2021

insanely helpful, thank you!

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Ingve Zetterstrøm · March 26, 2021

It even made me like my own comment!

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Ingve Zetterstrøm · March 26, 2021

Better than processed MEAT!

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Dimitris · March 26, 2021

This is the dad of distortion

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Alex Cullen · March 26, 2021

These tutorials are crazy good, my brain hurts

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Rodolfo Tschöpe · March 26, 2021

OMFG, I'M STUNNED. Best tutorial i've ever seen i'm my life.

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John Harrington · March 26, 2021

God yes

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Ingve Zetterstrøm · March 26, 2021

Incredible

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Diego · March 25, 2021

legendary

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Avoision · March 25, 2021

Joining your Patreon was the best idea I had all lockdown.

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joe riley · March 25, 2021

just wonderful !

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Shru-ti · March 25, 2021

Really hope Intros are a thing from now, LOVED IT ! !

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Shring · March 25, 2021

OMG YES!