How We Made 'Forgotten Myths' EP

AHHHH. I've been trying to pick apart the Strike drums for so long. All of my theories were incredibly wrong. That bass sound is still one of the heaviest I've ever heard. Absolutely brilliant.

This was the first Ep that I remember completely captured me with it's story telling and sound design...it still resonates with me on the deepest level of emotions 🙏 playing out tracks from it in the right settings is always so special...thank you so much for this piece of music guys, and thanks for sharing this ❤️

What guitar did wills dad use?

can we please get the stems for this version of the track Forgotten Myths.i always loved that track

Thank you so much for this gift, Will and Jim! I was already a big fan of yours beforehand, but this EP along with Sanctuary were the ones that truly blew my mind apart in terms of what was possible with electronic music. I can't tell you how grateful I am that you first made this music to share with the world, and then made these tutorials to share with us how they were made. Much love from New York!

Brilliant insight into the EP thanks both for sharing! This EP in particular has inspired me to push the production game so much. Also really like hearing backgrounds of EPs/Tracks which give a deeper meaning to each tune. Great stuff.

this is so amazing. Sentient is my favorite tune of all time and it's so amazing to see behind the scenes 🙏🏼

Amazing EP that gave me hope that your stylistic change for Sanctuary was not just a one of experiment. 😬 So much food for thought after watching the video, thank you for this!

Thank you guys! So nice to have all these insights into that lovely and classic EP 👌🏼

Thanks so much for this! This EP was so ahead of its time, I basically had it on repeat from 2015-2018 whilst waiting for Polychrome. The eBow was such a magical touch and the eastern vibe along with the squelchy basses complimented each other so well. I’m constantly fascinated at how much work goes into individual sounds, it’s so refreshing to see! I always assumed the effects chain on basses and drums were insanely complex, but seeing just how complex they get when working with foley, guitars and pianos etc. is really interesting. Thank you for shaping my music taste into what it is today, forever grateful to you guys. That Chon album was also one of my favourites back around that time and I must’ve completed journey so many times, the score that goes alongside you getting to the top of the mountain is incredibly touching and cinematic. My favourite part is when you’re skiing through the temple on the sand and the camera pans out to the right and you catch a glimpse of the sun shining through the pillars from the mountain top, think I might have to get a little session on Journey tonight, revisit the little white flag man!